Monday, December 25, 2006

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Presentation

first thing that strikes in the painting seems Francisca Valenzuela is constantly showing us to be a double genesis: the instant at which depicted emerging from the abstract, formless, pure color and that the abstract is born the endless amounts of details, juxtapositions, overlapping tissue that make up the fabric of any representation. understand then to look, see, there is not nothing more than to witness a wonderful balance between the dissolution and delivery, between chaos and form, and all it takes just a breath, the slightest change uniform to show the nature and the world, erase its viewers. Is the great theme of this show, the faces and bodies, trees, things and beings that these pictures up, appear to have emerged from a background almost incomprehensible, as if they were frozen at exactly the moment of its visibility, then disintegrate and become part of the infinite spaces where the eye does not exist and we are barred forever. The question then is basically almost maddening lightness of the universe and life, as if what we wanted to show Francisca Valenzuela is nuestrosojos blind side, the bottom hauntingly dark or too bright, the colors, the However, the contours are proof of the exceptional and miraculous existence, the other words, how amazing it was the world and not nothing. These pictures look so, we stop in front of them are actually ignoring them looking at us and that in the tumult of their colors, their outlook, their vanishing points, our bodies are also covered because we are part of it is insurmountable insecurity that condemns us to the transience of wonderful things to see, hear, listen, the second in the second spot where you were up the whole cosmos . The gaze of the painter becomes about things and summary of the colors you some of her color returned to the skies in our faces almost blind. Our lives are just a breath, the tiny burst of a wave in the boundless majesty of the ocean. It is this glow that shows us here Francisca Valenzuela, that glow is very short but the light of the world.

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Enunciation by Andrea Arrivillaga

In a swipe the brush of the painter
Revelation

print your defragmentation In Genesis
she paints from a deeper withdrawal

Where the body is a storm drain rune
calvarias

effigies are disturbing twisted faces agonizing pain


Expulsion is the
feature with great momentum and spirit spirited

Plasma unbridled passion and madness

bursts from the stain color baptism
and barren landscape reminiscent of the beacon

Labor mana from shadow into light loneliness
is the watercolor artist and his skating

as surprised
accident spread like a gemida and enunciation

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Collateral

March 8 will make a presentation in Santiago de Chile, for which my friends and Andrea Arrivillaga Raúl Zurita, kindly wrote some lines that I present the following articles (up). I'm bringing me

presentation materials for this exhibition I hope after doing a couple more in the U.S., one in the west coast and another in the east.

The Andrea called her words "enunciation" and Raúl Zurita not headlined.

Read them and my thanks to both.

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My eyes

did for an exhibition in Caramel, California, I was asked to draft a statement as a kind of presentation and wrote with the help of some friends this text:

"My Pictures and not want to appear virtuous, do not want to please, just want to be. I need to enter me and explore the depths from which springs from my life, my melancholy, my dreams. I let myself go and flows all my strength, my passion, pain and anger and reflected on the web through a strong brush strokes.

The work is vital, he finds a rhythm , with the power of color. The rational and irrational, the sensual and the spiritual, what is represented and the real are united and form a whole, a coherent and dynamic expression.

Form, color, line color and meaning come together to be my message, which can be read as a comprehensive, general, and himself only. Is apprehended and shown with immediacy, seeking a universal validity.

I make a look, highlight what is at twilight, deploying to the essentials and discover the path that unfolds before me. "


And the English version is this:

" My images do Not Want to Be Virtuous. They Do Not want to please. They just want to be. I want to enter into my vast interior surges from Where My life ... my Melancoly, my dreams. I want to let go and let myself Be taken by my stregnth, passion, pain, and rage. Through my strong brush stroke emerge from within, who I am.

Something within me still has not been contaminated by this world. This hostil world that overstimulates, threantens, menaces and distances one from my center core. I try to shed the different masks used to confront this overwhelming, unforgiving world, that doesnt see the human being as such and doesnt allow him to grow.
Through my eyes and using my art I would like to give light where there is darkness and take myself towards what is essential, and find the path that is leading me.

I strip myself of the image, I submerge into my interior self, reaching my pulse, allowing a strong, violent brush stroke to emerge."

Saturday, December 16, 2006

Tattoos Over Keratosis Pilaris

Some pictures

Aquí te muestro algunos de mis cuadros.





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this Blog

I understand the blog as a social space for conversation which entered into exploratory mood.

here I want to talk about my creative work and some other things I shared arise.

other hand I hear the voices of people like you who pass by here about the pictures and work I do.
expressions are always emerging from within me, but still feel a strong curiosity to know how they arrive.

Feel invited to participate in this conversation that part of me, but that is always on the lookout you know what you think. Welcome

.